Artists

Photo Credit: theghost

BPM: Welcome, Narki! We're thrilled to have the opportunity to speak with you. To kick off our conversation, let's journey back to the roots of your story. How would you describe your childhood growing up in the Mountainside District of St. Elizabeth, Jamaica?

Narki: Thank you for having me. Well, I wouldn’t say it was the toughest or harshest reality, but it definitely wasn’t like what many kids go through. In the mornings before going to school, I had to ensure my chores got done, such as feeding the livestock we had because, you know, we are country people. We had chickens, goats, and pigs to care for.

BPM: Thank you for sharing that glimpse into your childhood and the responsibilities you had. It’s fascinating how our early experiences shape us. Speaking of which, were there any specific early experiences or memories during that time that you feel have had a lasting impact on your music or creative expression?

Narki: Indeed, as a kid, I remember my cousin (who’s more like a brother, as we were just 6 months apart in age; SIP TAH-J) and we used to build our own speaker box. We would take speakers from a radio, and build a sound box, and play music from a Walkman. It’s little things like those I would say drive my love for music.

BPM: Building your own speaker box and creating a unique musical experience sounds like a memorable part of your childhood. It's interesting how those early moments can shape our passion for music. Taking a trip down memory lane, were there any specific genres or artists that left a lasting impression on you during your formative years?

Narki: From a tender age, music has always surrounded me. In Jamaica, you know when a dance is happening you hear sound systems strung up, and vibes are alive. But I’ve always been drawn to conscious music preferably sounds of artists like Garnett Silk, Dennis Brown, and Beres Hammond, just to name a few, who personally left an impression, inspiring me to pursue singing.

BPM: It's fascinating how the vibrant music culture in Jamaica has influenced your artistic preferences. Moving on, I'd like to delve into the impact of your local community. In what ways has the local community in the Mountainside District influenced your artistic identity and the messages you convey in your music?

Narki: It influenced me in ways that make me believe that, being from Mountainside, I will forever remain humble and grateful. Knowing the struggles, and realizing not everyone has an opportunity like I have, I feel a duty to give hope to others and show them that someone from where they are from got an opportunity and used it wisely.

BPM: Your commitment to remaining humble and giving hope to others is truly commendable. Now, shifting gears a bit, let's reflect on your musical journey. Since 2007, how do you feel you've evolved as an artist, both creatively and personally?

Narki: I feel I have evolved as an artist creatively because the sound I've developed over the years is very unique to who I am personally. I sing songs that organically apply to my true self. Additionally, I believe I have evolved personally on a spiritual level. There are certain things I wouldn't entertain in my music if I knew they didn't align with who I am.

BPM: It’s evident that your journey involves a deep connection between your personal growth and creative expression. Building on that, could you share a particularly memorable or defining moment in your career so far? Something that stands out as a highlight or turning point.

Narki: My defining moment thus far for me has to be Sting 2012. I was supposed to perform on the early segment and I ended up arriving a little late due to many reasons. Although I didn’t get to perform, being backstage with artists such as Chronixx was an inspirational experience.  It motivated me to get myself together musically.

BPM: I appreciate you sharing that moment from Sting 2012. Despite the challenges, it seems to have influenced your musical journey. Shifting focus, how do you approach collaborations with other artists or producers? What qualities do you seek in potential collaborators?

Narki: I typically work with energy, avoiding overthinking in the creative process. When seeking potential collaborators, I value genuine, real energy. I firmly believe that energy is everything; it shows when the work is created.

BPM: Your focus on energy and avoiding overthinking in the creative process is intriguing. As you aspire to become an icon in the industry, how do you strike a balance between staying true to your unique sound, driven by that genuine energy, and navigating the commercial aspects of the music industry?

Narki: I try my best to maintain balance by staying grounded and always showing gratitude. Reflecting on my journey from where I started to where I aspire to be, I find it crucial to remind myself that every step has been a part of this transformative journey.

BPM: Your commitment to balance, gratitude, and reflection in your journey is commendable. Shifting the focus to your connection with the audience, can you share how you personally connect with your fans through your music? 

Narki: I connect with my audience on a personal level by singing songs I know are from the soul and realistic. There’s nothing fraudulent.

BPM: Your commitment to authenticity in your music is evident. Shifting our focus to your latest EP, Narki, could you provide some insights into the creative process behind it? What themes or inspirations drove the creation of the EP?

Narki: Absolutely! That was my first-ever body of work and it was a thrilling experience for me. After years of making music purely out of love without tangible projects to showcase, the creative process became intentional. My goal was to expand my musical horizons and ensure that the context of each song went beyond simplicity. I aimed for concepts with depth, hoping that a decade from now, the music would resonate with an even larger audience.

BPM: Thank you for sharing your insights into the creation of Narki. Given your versatile approach that spans multiple genres, I’m curious about your future musical aspirations. Are there specific genres you hope to explore, or do you find fulfillment in the versatility your current style provides?

Narki: I appreciate the current versatility in my music because while Jamaica is my foundation, America has also played a significant role in broadening my artistic horizons. It has allowed me to fit in socially and connect with a broader spectrum of people, enriching my overall experience as an artist. 

BPM: Thank you for highlighting the influence of both Jamaica and America in shaping your versatile musical style. Building on that, is there something about the music industry or your creative process that you find interesting but isn't often discussed? Something that might offer fans a unique perspective into your journey as an artist?

Narki: Convincing others to see the vision you have for your dream and trusting the musical process can be a tough journey.

BPM: Navigating the journey to realize your vision and trusting the musical process can indeed be challenging. Shifting focus to your recent release “Life,” on the Deadly Smiles riddim produced by 1DussRecords, could you share the creative inspiration behind the song? Additionally, what insights can you provide into the collaboration with 1DussRecords and how that came about?

Narki: The creative process behind the song was sparked by my experiences with friends in Jamaica during my visit in July 2023. I'm a good listener, and during our conversations, I absorbed various viewpoints on matters that deeply resonated with them. These diverse perspectives inspired the essence of this song. Additionally, the collaboration with 1DussRecords, is my blood cousin which added a family-related touch to the project.

BPM: Thank you for sharing the inspiration behind “Life” and the unique family connection with 1DussRecords. Shifting gears a bit, in the age of advancing technology, how has it influenced your approach to making music? Specifically, in terms of production and connecting with your audience through platforms like YouTube, Instagram, and TikTok?

Narki: Since I started making music in the early 2000s, social media has always been crucial. Now we realize it's imperative to stay connected and learn different platforms to ensure we adapt to the ongoing changes in the industry.

BPM: Thank you for highlighting the importance of adapting to the changes in the industry. As we conclude our conversation, is there a final message or sentiment you’d like to convey to your fans and our readers? And, looking ahead, what can they expect from Narki in the near future?

Narki: Absolutely, what I would like to convey to my fans and viewers is thanks to all who have been supporting my journey. Your support is greatly appreciated. For those who haven't heard of me yet, please subscribe and check out my music on YouTube (Narki Music) and on Instagram (@narkisway). There's unreleased music in the pipeline, and while I can't reveal too much, rest assured that greatness awaits through unwavering consistency.

BPM: We want to extend our sincere gratitude to Narki for sharing his journey and insights with us. Thank you, Narki, for your time and passion for music. To our readers, we appreciate you taking the time to explore this interview. Stay tuned for more captivating stories from talented artists. Join us next week for another exciting BPM Spotlight Artist of the Week. Until then, keep the music alive and  

Photo credit: theghost

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Follow Narki on social media platforms:

TikTok: @narkimusik

YouTube: @narkimusic

Instagram: @narkisway

Soundcloud: @narkimusik

For Bookings: This email address is being protected from spambots. You need JavaScript enabled to view it.

Watch “Life”

Watch “Where to Start”

Watch “Don’t Act Like It”

Photo Credit: Str8 Photos

BPM:  As we embark on this conversation, I'm keen to explore the unique journey that has brought you to where you are in your musical career. Reflecting on your upbringing, I understand you had a strong love for football. I'm curious to learn about the transition from that passion for football to the development of your passion for music. Could you share the moments or individuals who played a significant role in inspiring this shift?

Chappzs: I loved both football and music from as early as I can remember. I excelled at both in school so, there was no real transition. While football is a hobby for me, music is my true passion.

BPM: Now speaking of music, it’s clear that your mom’s natural singing ability has been influential in your life. Can you elaborate on how her talent played a role in helping you discover your own musical abilities? Additionally, could you share more about the catchy song on the radio that you fell in love with, and how it contributed to your realization of your musical ability?

Chappzs: When I was about 5 or 6 years old, I heard I-Wayne’s “Can’t Satisfy Her” playing for the first time on a sound system, and the chorus was very catchy to me. As I grew older, I realized it was the melody and flow that sparked my interest. Before that, my mom would sing so many songs to my siblings and I, and I loved how these songs made me feel. She is a natural born singer, and she taught me a lot of songs that were popular in the 70s and 80s, so I grew up having a better appreciation for music.

BPM: Thank you for sharing those insightful reflections on your early experiences with music. It’s fascinating to hear how your mom’s singing and exposure to classic songs played a pivotal role in shaping your musical appreciation. Transitioning to our next topic, I’d like to explore the theme of consistency in the music industry. Could you shed light on how you’ve maintained this consistency, both in your creative process and in your interactions with the audience?

Chappzs: I have a very dedicated and disciplined work ethic. I understood from an early age that to be taken seriously in this industry, I had to be adaptable, active, and consistent. I spend a lot of time in the studio composing songs for various occasions, always keeping diverse demographics in mind. This practice keeps me on my feet, as I am always prepared for anything that comes my way, especially on the creative side of things.

Additionally, I prioritize my fan base; I love my fans. I spend time corresponding with them through social media, using this tool to reach out to radio deejays, selectors, sound system operators, and producers. Lastly, I also spend quality and necessary time with my team to contribute to my overall artistic and brand development.

BPM: Speaking of social media, given the influence of applications particularly TikTok, as a powerful tool for artists, could you share how being active on TikTok has assisted you in terms of promotion? Additionally, do you employ any specific strategies that you find effective in engaging with your audience on this platform?

Chappzs: In 2018, I had the opportunity to perform at Beenie Man’s Summer Sizzle. in 2021 I posted a clip of my performance on my TikTok; I was shocked at the number of views, likes, comments, and overall, interactions I received. Interestingly, when I posted this same clip on my Instagram, the traction was not as significant. This experience prompted me to prioritize TikTok, recognizing its potential for broader reach and increased viewership.

In terms of strategies, I utilize my music as much as possible in my posts, aiming to maximize its presence. Additionally, I actively engage with my audience through TikTok Live sessions.  These sessions provide a direct platform to connect with fans, share vibes, and offer glimpses into my studio life.

BPM: As we explore your effective strategies in utilizing music and engaging with your audience, it's intriguing to witness the impact of your approach. Moving on to your achievements, with hits like “Moment,” “Big Heart,” and “Street Cred,” you've built a formidable fan base. How does it feel to see your music connecting with people from different parts of the world, and are there any unique stories or messages from fans that have left a lasting impression on you?

Chappzs:  I grew up having nothing. My family struggled a lot because of our socio-economic background, so I didn’t expect that one day my music would be playing all over the world. I have had people reach out to me from countries I didn’t know existed, in languages I am yet to understand, and the feeling is beyond amazing.

I remember one day I was feeling uninspired and was chilling on my block. Out of nowhere, I received a video from some youths in Africa. In the video they were in a bar, playing my song “Medz,” and this lifted my spirit making me push past my frustrations that day. There was also a situation where I took my mother to the grocery store. When she saw a friend of hers, he showed us a tattoo on his foot that said, ‘God and Time,’ which he directly said was inspired by my single “God and Time.” This had a long and lasting effect on me. I could not believe that my music would have this much impact.

BPM: Your journey from humble beginnings to a global musical impact is truly inspiring. It's invigorating to hear about the unexpected moments that lifted your spirits and validated the impact your music has on people worldwide.

Building on these experiences, in 2022, you delivered a standout performance at Sting, an event deeply rooted in dancehall's history. Could you take us through the details of that experience and express what it meant to join the ranks of such a prestigious event in the industry?

Chappzs: I grew up watching the greatest dancehall icons performing on Sting. It was a privilege to be booked for such a momentous occasion and to be among them. The experience was a teachable one; I did my media runs with my publicist and it was great. I gained local and international exposure. Furthermore, I was approached by several producers outside of Jamaica with whom, in time, I would work.

BPM: Being part of Sting was undoubtedly a significant moment in your career, opening doors to both local and international opportunities. Now, shifting the gears to recognition within the industry, being acknowledged by artists like Tommy Lee Sparta, who recently invited you on stage at the Sharkies Seafood Festival in Ocho Rios, is a significant endorsement. How do these experiences impact your confidence and influence your aspirations within the music industry?

Chappzs: Tommy Lee Sparta has been calling me up on stage for some time now, and I appreciate it every single time. He is a role model and mentor to me. Tommy Lee Sparta is one of the best performers and overall, well-rounded artists in dancehall right now; so, he gives me that drive to always want to stay on top when it comes to performances.

BPM: Being recognized and invited on stage by Tommy Lee Sparta is undoubtedly a significant endorsement. It speaks volumes about the impact of your work within the industry. Now, looking at your musical style, it’s clear that your experiences with artists like Tommy Lee Sparta contribute to your growth. Speaking of your music, if you had to describe your music in three words, what would they be and why these words?

Chappzs: My music is inspirational, with a feel-good vibe, and it’s versatile. I inspire people through singles like “Medz”, “God and Time,” and “Big Heart,” motivating people to push beyond their struggles. Songs with a feel-good vibe include “Moment,” “Rank Up,” and “Oh Gosh.” which are very fun and speaks to lifestyle. My versatility is showcased in all my songs; tracks like “Street Cred” and “Swizz Cheese” have a more gangster feel for the streets, while “Changes” and “These Streets” are geared at empowering inner-city youths. Additionally, I both deejay and sing, making me well-rounded overall.

BPM: Your description of your music truly paints a vivid picture of your artistic range. It’s evident how your songs carry diverse messages, catering to different moods and lifestyles. Now, looking at your career, with such a comprehensive approach, what do you believe could serve as the breakthrough to propel you further into the forefront of the industry?

Chappzs: As my song says, ‘God and Time,’ so that’s really what I am waiting on…my time. I am naturally talented, and people love the music that I am releasing. Moreover, I have gone through different stages of development and I’m always open to growth, so it’s only up from here.

BPM: Your perspective on waiting for your time and the recognition of your natural talent reflects a patient and confident approach to your career. Shifting gears, considering your experience, what advice would you give to aspiring artists who are navigating their way through the competitive music industry?

Chappzs: I would say consistency is key. It’s also very important that you have songs for everyone so people can see the different sides of you. Last, but not least, God must be in everything you are doing. Keep Him first, and everything else will fall into place. 

BPM: Your advice on consistency, showcasing versatility, and emphasizing faith resonates strongly. It’s clear that your principles are grounded in a thorough approach to both artistry and spirituality. Now, looking ahead and considering your journey and the wisdom you've gained, as we approach the end of the year, could you provide insight into your aspirations for 2024? Additionally, are there any upcoming projects or collaborations you can share details about?

Chappzs: I won’t be waiting until 2024 to get my break; the time is now! I am putting in the work and believe in myself and my team 100%. Additionally, I have a 4-song project dropping soon, and I am working with Puffy Don on new music. I am also in communication with DJ Mac on a possible single. While there are other projects and shows I can’t disclose just yet, 2024 is already solidified as a busy year for me.

BPM: With that being said, Chappzs, your vibrant narrative and invaluable insights have truly enriched our conversation. We appreciate you sharing your journey with us. To our readers, thank you for joining us, and we can't wait to bring you another exciting spotlight artist next week. Stay tuned for more captivating stories! Feel free to hit the like and share button below!

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Photo Credit: Str8 Photos

Follow Chappzs on social media platforms:

Instagram @ChappzsOfficial1

Facebook @ChappzsOfficial

TikTok @Chappzs_

YouTube: ChappzsVEVO

Booking Information:

Management:

Hugh Bryden

T3M Music

876-892-3953

This email address is being protected from spambots. You need JavaScript enabled to view it.

Bookings & PR:

Talisa Taylor

Taylor Made Events and PR Management

876-833-5444/876-669-5634

This email address is being protected from spambots. You need JavaScript enabled to view it.

This email address is being protected from spambots. You need JavaScript enabled to view it.

Watch “Moment”

Watch “Street Cred”

Watch “God and Time”

Watch “Big Heart”

Photo Credit: Ventura

BPM: So Grabba, can you share a vivid childhood memory that you feel had a significant impact on who you are as an artist today?

Grabba: Yes, as a youth, at a tender age, I usually wrote lyrics and DJed to my friends until I got the opportunity to sing for a producer by the name of Franklyn Davis. He had a big name under his belt, like Gregory Issacs at the time. Long story short, I performed a song for him but was told that I sounded too much like Bounty Killer, and from that day until today, that impacted me in a way where I try to be different and find my own sound.

BPM: Kudos to you for taking his constructive criticism gracefully. Recognizing the importance of honing one's distinctive sound is important.

How has your hometown or the places you lived in during your early years shaped the themes or stories present in your music today?

Grabba: It shaped me a lot because there was a sound system in my community by the name Studio Tronic where surrounding artists from the district would visit and showcase their musical talents. I was a young 16-year-old at that time fascinated with the music and from there my journey began.

BPM: Were there any mentors or individuals who played a significant role in nurturing your passion for music during your formative years?

Grabba: Yes, I would say a close family member, Jermaine Anderson, aka Pyvital, helped to mold me into the individual I am today.

BPM: Ok. It’s reassuring to know that the guidance came from someone close to you.

During your early involvement in the industry, you delved into promotion through Grabba Family Promotions and guided other artists under your direction. Can you share some details about the journey into the production aspect of this experience? What lessons or insights did you gain while working with other artists, and how did this period influence your own approach to music production?

Grabba: I promoted and did bookings for artists over the years, such as Popcaan, Bling Dawg, Iyara etc. Additionally, I worked with an artist by the name of Elegant for over 10 years. The lessons I have learned over the years dealing with artists is the discipline and indiscipline of being an artist, and I used that as homework towards myself to influence me in a positive way.

BPM: With your well-rounded experience in the industry and your involvement in party, radio, and DJ promotion, how has this diverse background shaped your approach to music creation and your role as an artist?

Grabba: It shaped me in many ways because I have encountered numerous celebrities and used them as an example to build my composure as I journeyed into the music industry. I have learned so much in terms of being consistent, being punctual, and putting my utmost best interest at heart.

BPM: Those are definitely essential work ethics for success in the industry.

If you had to choose one of your songs to represent the present moment in your life, which would it be and why?

Grabba: If I had to choose one of my songs to represent the present moment in my life, it would be “Love at First Sight.” This song holds special significance as it reflects a moment of personal connection and enchantment, similar to the experience of falling in love at first sight with a beautiful woman. The song is a perfect representation of the emotions and experiences defining this period in my life.

BPM: Love at first sight huh? How cliché! Lol!

If you were to experiment with a completely different genre for one song, what genre would it be, and what might the song be about?

Grabba:  I would have to say gospel. The song would be about spreading the words of The Almighty through music.

BPM: Gospel is an excellent choice! Besides your musical talents, is there another skill or hobby that people might be surprised to learn you have?

Grabba: A hobby of mine is football (soccer).

BPM: Oh, ok so you’re a baller! Lol!

If you had to start your music career all over again, knowing what you know now, is there anything you would do differently?

Grabba: Personally, I would say no.

BPM: Ok, I can respect that. If you had to pick one of your songs as your personal anthem, which one would it be, and why does it resonate with you?

Grabba: My song titled “Save Me.”  I chose this song because it symbolizes my musical rebirth after dedicating my services to others for years. It’s now my turn to do for me.

BPM:  Well, I know that I can definitely relate to finally putting yourself first. Are there specific themes or messages that you find yourself revisiting in your songs?

Grabba: Yes, most definitely. During my meditations, a line from my song may come to mind, for instance: “Heavenly Father, you save me, you save me, you never left me out.”

BPM: I agree, music is so inspirational and can resonate with day-to-day life.

What would you say is the most heartwarming fan interaction you’ve had?

Grabba: The most heartwarming fan interaction was in 2019 after performing at a stage show in my parish called Trelawny Explosion. A fan from Canada approached me, wanting an autograph and a picture. Afterward, they offered words of inspiration and encouragement, urging me to keep going and affirming that I was a star.

BPM: Fan interaction is invaluable for artists; I firmly believe that fostering meaningful connections is essential in your journey.

With that being said, as we come to the end of our interview can you tease any upcoming projects or releases that your fans and our readers can look forward to?

Grabba: I have a song titled “Believe” coming soon, they can listen out for that.

BPM: Sounds great! Well Grabba, we genuinely appreciate you taking the time to discuss your musical journey with us. Your openness and insights have added tremendous value to our conversation. We wish you continued success and fulfillment in all your musical endeavors.

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Follow Grabba on social media platforms:

YouTube: @grabbamusiq

Facebook: @grabbamusiq

Instagram: @grabbamusiq

Audiomack: @grabbamusiq

TikTok: @grabba_musiq

Booking Information:

Debbie Lewis - (336) 354-5651

Email: This email address is being protected from spambots. You need JavaScript enabled to view it.

Grabba Family Promotions - (876) 457-2846 

Email: This email address is being protected from spambots. You need JavaScript enabled to view it.

Watch “Mankind” ft Jah Vain

Watch “Blessings”

Watch “Don’t Trouble”

Watch “Love At First Sight” ft Adena Myrie

Photo Credit: Shaunice Jones

BPM: As a child, you began writing poetry and songs at an early age. How did those early expressions of creativity influence your songwriting style and the themes you explore in your music today?

Sha Sha Jones: I started writing on paper at the age of 10. So, because I was a child, haha, I could only talk about so many things--whether it was facing a bully at school, overcoming life’s obstacles, or expressing feelings from someone else’s perspective. Writing poetry allowed me to express my feelings with no sound, even if no one understood it but me. However, when it came to songwriting, I learned how to be more considerate and open to conversation.

BPM: You transitioned from Oklahoma to various cities in pursuit of your career. How did these shifts in the environment impact your approach to music, both creatively and professionally?

Sha Sha Jones: Wow! Traveling to different states really opened my eyes in all aspects. I’m always excited to explore new scenery—everything from the air that smells different, to fashion styles, accents, and food--EVERYTHING! Leaving my hometown wasn’t hard for me because I knew that music was what I was going to pursue. To this day, I easily adjust to new environments. However, it took a lot of tears and frustrations to realize that greatness takes time. But I was always willing to wait. If I hadn’t traveled, I wouldn’t have worked with nor met some of the greatest writers, producers, and industry legends of all time.

BPM: Your songwriting has been described as boundary-breaking. Can you talk about a song or a lyric you've written that holds special significance for you and how it represents your creative evolution?

Sha Sha Jones: I always have to start with the song that is still in rotation to this day, and that is a song I wrote called, “Lose You.” This song, in my opinion, not only relates to everyone but it touches on issues that couples struggle with on the daily from both sides and finds a solution. One person would say, “You listen to your friends who tell you what you should do instead of listening to your baby.” Then the other would say, “I feel like all your trust jumped right out the window, cause every time we talk you never believe me.” All for them both to agree that after all they have been through, they want to know what it is that needs to be done in order to make it work. This holds significance because it allows me to be vulnerable to holding truth accountable and creating solutions.

BPM: You've collaborated with a diverse range of artists, from Kool & the Gang, Mya, and Omarion, just to name a few. Could you share an anecdote or memorable experience from collaborating with a particular artist that significantly influenced your approach to music or songwriting?

Sha Sha Jones: It is such a thrill creating with the legendary Kool & the Gang! Legendary isn’t even the word to describe what I’ve experienced. When I first moved to Cali, that was my very first session. Who was kind of nervous? Me, hahaha. It would be 9 to 10 hours of pure musicality. Bringing in harp players, saxophonists, guitar and drum players, and writers. I was really honored to receive so much love from them and their respects to me as a performing artist and songwriter. I’ve also gained so much knowledge on how to simplify my writing as well as soaking in industry gems. I continue to celebrate with them with their new album, “People Just Wanna Have Fun,” as I have their first single, featuring myself along with 8 other songs that I co-wrote!

BPM: As an artist who transitioned from creating YouTube videos to becoming an internet sensation, how have you noticed your connection with your audience evolve as your career has progressed?

Sha Sha Jones: YouTube played a huge role in defining my position to the public eye. I learned from being on YouTube that my voice and songwriting were appreciated and received. Not only was my music relatable but I opened up myself some by going live to engage and grow with others. Back then it was Ustream now it’s TikTok live, haha. Like I mentioned before, I’m easy to adjust and understanding who is building with me helps me figure out solutions around me.

BPM: What’s been the most surprising or unexpected aspect of your transition into the professional music world?

Sha Sha Jones: Having to learn about the music business! Before I moved out of Oklahoma, I just wanted to sing and perform, I did not know that there were other aspects attached to music, like lawyers, contracts, royalties, and hundreds more. I am so grateful to have been brought up under my team, Music Mind, because I was surrounded by managers who tailored their way through the villains while keeping me headstrong in wisdom and at peace within to still create.

BPM: "Lose You" was a remarkable success, ranking 98 in the top 200 on the Billboard charts in 2019. How did that experience influence or change your approach to your subsequent projects, and what did you learn from that particular achievement?

Sha Sha Jones: “Lose You” charting let me know that when it is my given time, I am going to be unshakeable. I learned that being true to oneself will take you further than portraying someone else’s story. Writing for others, it was imperative for me to be in the studio directly with them so I could understand them, and connect with their spirit in order to get a feel of the truth.

BPM: Your company, Music Mind, signifies a new chapter in your career. How do you envision this platform impacting the music industry, and what differentiates it from other avenues or labels in the business?

Sha Sha Jones: I’ve always told my team, Music Mind, from the jump that my company will be fair, forever learning, and respected. I started building this company in 2009 and growing up into the internet realm has given me insight on how to extend services to other talents. Music Mind represents a pivotal shift in my career, aiming to revolutionize the music industry by prioritizing artist empowerment and innovation. This platform will distinguish itself through cutting-edge collaboration tools, transparent artist contracts, and a focus on nurturing diverse talents. I plan to foster a dynamic community that redefines industry norms.

BPM: Your aura is often described as a beacon of positivity and light. Despite your significant journey in music, your humility remains evident. How do you manage to balance staying grounded while acknowledging and celebrating your achievements?

Sha Sha Jones: In short, GOD. The Most High. My faith and works for God always come first because I see Him as the end all be all. Music is one of the many gifts I was blessed with, and it can be taken away at any time. So, I practice love and peace in my career and everyday lifestyle. My aim is to please God, love Him, and be patient until He answers. I believe greater things are in the works for me if I continue to do right all around. I’ve grown stronger in my faith and works, and it has only caused me to shine my light even brighter among others. I love to love and The Most High has protected me with the most genuine, loving people like my family, my husband and children, friends, my music team, and last but not least my ShaLights.

BPM: Do you find greater satisfaction in expressing your artistry as an artist or in the process of songwriting for other performers? How do these two roles differ in terms of personal fulfillment and creative expression for you?

Sha Sha Jones: I enjoy performing my songs on stage. It is an amazing feeling hearing the crowd hear your song that you wrote and relate to it in ways that change their lives. That’s one feeling I wouldn’t trade. I still love sitting down with other artists and creating a song that fits them like a glove. In the end though, songwriting displays a version of you whether it's yours or someone else's.

BPM: Collaborating with established producers like Ron “Neff-U” Feemster and Nisan Stewart, how did these experiences reflect or contrast with the early days of your musical journey?

Sha Sha Jones: Working with creatives like Ron Feemster has been some of the most inspiring times for me. I’ve learned how to take notes easier and step out of my comfort zone vocally. In Oklahoma, I was accustomed to writing at home by myself and recording the song in the studio, whereas with Ron, I was influenced to write on the spot and try different ideas vocally instead of sticking to the first idea. Ron has been such a great musical mentor to me.

BPM: The title “Always Ready” seems to embody your approach to your career. Can you tell us about a moment or a phase in your life when this motto particularly guided or defined your actions and decisions?

Sha Sha Jones: Absolutely, one attribute that I value dearly is my ability to be ready to sing. Outside of YouTube, I enlisted a “Demo Recording” inquiry for songwriters who needed a vocalist to sing their songs so they could shop it to other artists. At that time, I was focused on delivering the demo but later realized that constantly doing these demos, along with self-recording, strengthened my voice and showed me how to vocal produce myself instead of depending on a recording studio. Whatever venture I take on now, I look at it as something that I am preparing for and will be ready for when the time comes in the present or future.

BPM: Regarding your latest track, “Playboy Q,” recognized as a siren anthem of love's deception, can you share how you gathered inspiration for this song? Do you typically draw inspiration from relatable topics, or does songwriting come naturally to you?

Sha Sha Jones: Most of my songs stem from personal experiences or observations from others. “Playboy Q” was a fun experiment that I tried out with my ShaLights on TikTok live. I was creating an acapella which I call (Shacapella) and I was simply asking for personal experiences from them. I copied and pasted it together and made it make sense. One funny thing about writing this one was, when I was finished with the Shacapella and ready to write and sing the lyrics, someone had joined the live apparently at the last minute, just throwing so many ideas to what was already finished haha. So, I started singing, “Where was you at in the beginning.” I loved how I was singing it and decided to keep it. I low-key put homie on the spot but if I didn’t call him out, “Playboy Q” wouldn’t sound the way it does now.

BPM: Your Open House Live sessions on TikTok, where you engage in live music creation and even craft personalized music pieces with your fans, have become quite popular. It was during one of these sessions that I stumbled upon your remarkable talent. The customized ringtones seem to be a fan favorite. How do these sessions contribute to your enjoyment of interacting with your fanbase, and what do you find most fulfilling about this collaborative creative process?

Sha Sha Jones: Before I was able to go live on TikTok, I studied, studied, and studied, looking for ways to promote myself in such a fresh environment. I would join others live and comment to the people that I would sing their names if they followed me. I did not see it as a big thing until the day I actually went live for the first time. Creativity and ways to innovate are always on my mind. The ringtone idea happened sporadically. What turned into what I thought was a song ended up being something bigger, like becoming the voice on over 200 phones worldwide. Doing things like this brings me closer to my community and helps me find more musical gaps to fill. Singing ringtones excites me! Seeing the fire emojis and reading that it made them smile or that they won’t be answering their phone because it sounds too good brings joy to my heart.

BPM: What can your audience and our readers anticipate from you in the near future? Are there any exciting upcoming ventures, collaborations, or creative projects that you're currently working on or planning to share?

Sha Sha Jones: Absolutely, without revealing too much, I’m thrilled to share that I have an upcoming album in the works. There are also exciting collaborations and creative projects on the horizon that I can’t wait to unveil. Stay tuned because it will be a journey filled with new sounds and experiences.

As we bid adieu to the enchanting melodies and inspiring journey of Sha Sha Jones, the echoes of her story linger in the air. We're left in awe of the musical magic she shared, proving herself as a force to be reckoned with, imprinting her mark in the music industry with extraordinary talent. To our readers, your continued support means the world. Join us next week as we unveil another sensational artist in the spotlight, and embark on the next leg of our journey as we continue to spotlight exceptional talent.

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Photo Credit: Shaunice Jones

Follow Sha Sha Jones on social media platforms:

X (Formerly Twitter): @shashajones

YouTube: @shashajones

Instagram: @shashajones

TikTok: @shashasvoice

Soundcloud: @shashajones

Booking Information:

Semaj Lee

Phone: (405) 887-8041

Email: This email address is being protected from spambots. You need JavaScript enabled to view it.

Get merch, personalized ringtones, demo recording, background composition, and much more:

Website: https://musicmindonline.com/

Watch “Playboy Q”

Watch “Lose You”

Watch “I’m Marvelous - Shacapella”

Photo Credit: @sonjalamakina

BPM: How has your upbringing in Quito shaped your identity, both as a person and as an artist, and how does that identity manifest in your music and career today?

Felva: I was born in Quito, but moved to Miami when I was two years old. I really grew up in Miami, but I spent summertime with my grandparents in Quito. I believe that Quito is a humble place, and I come from a humble background.  Consequently, I approach my music with the same humility. I just let the vibes flow. I don’t produce or write songs with any sort of ego attached to them, and I believe that’s due to my humble beginnings, where my family is from, in Quito. It also exposed me to Caribbean culture because Ecuador, while not directly in the Caribbean, is heavily influenced by it.  Latin spice was instilled from early in my life, and you can definitely hear that in my music. This influence is all due to being exposed to sounds from Ecuador and Colombia.

BPM: As someone who's excelled in both sports and music, how do you perceive the similarities or differences in the mental and emotional discipline required for success in professional basketball compared to the music industry?

Felva: That’s a great question. I believe that both require heavy discipline and a lot of self-motivation. In basketball, you have to be willing to wake up, train every day, strive for consistent improvement, ensure you’re shooting around regularly, and commit to daily practice. It’s the same thing with music and there’s nobody really telling you to get up and go do it. You have to want to get better and excel at your craft. Record new sounds every day. If you identify any weaknesses in your game, much like in basketball when I had a weakness, that's what you should focus on working on. Whether it's a weak jump shot or hands that need improvement, dedicate your efforts to refining those areas.

In music, if there's a genre I’m not as well-versed in, I make a point to work on it. Therefore, I believe self-discipline, self-motivation, and maintaining a competitive mindset are crucial. In sports, there is a competitive environment where competitors strive for playing time and championships. It’s the same thing for music, you’re battling to be on the charts, you’re battling to have the best sounds, and it’s a very competitive space.  I believe the main three things are definitely discipline, self-motivation, and remaining competitive. Those three things are similar when it comes to music and sports.

BPM: From DJing to producing, and now as an artist, your sound has evolved. How do your experiences as a DJ influence your approach to producing and creating your own music?

Felva: They are parallel because I make my music from a DJ standpoint. Everything I make is something you can play at the club, whether it’s trap, dancehall, or reggaeton. Regardless of the genre I explore, it’s always high-energy music. I don’t really make low-tempo music, and this preference stems from my experiences as a DJ. Additionally, thanks to my network of supportive DJs, I aim to produce music that seamlessly fits into club playlists, maximizing its exposure.  This strategy goes hand in hand with my goal of achieving the widest reach possible.

BPM: The Covid-19 pandemic provided a unique period for introspection. How did the isolation of the pandemic influence or shape your musical exploration and creativity?

Felva: It was a crucial period because there really wasn’t much time for anything other than music. I put in a lot of hours in the studio, and I genuinely believe I evolved significantly as a producer, recording engineer, songwriter, artist, and even as a DJ during that time. I frequently went live on Instagram, engaging in numerous DJ sets and downloading a lot of music. It gave me ample time to work on my craft without a fixed schedule, allowing me to focus solely on making music.

Despite the challenges the world was facing, being at home enabled me to concentrate on my artistic pursuits. This was the birthplace of the Starboy EP. Popeye Caution and I locked in during that time, and we both grew as artists. Our chemistry flourished, making it a pivotal moment. Even three/four years later, we’re still releasing music that was birthed during the pandemic, and for that, I’m very thankful for that period.

BPM: Founding and managing your label Maintain Music is remarkable. How do you balance your personal artistry and the responsibilities of nurturing and developing emerging talents under your label?

Felva: Well, my focus is really on artists that I genuinely believe in. I don’t manage a huge roster of artists, just myself and a couple of others. I try not to push too much work on my plate. Running a label demands full-time commitment--handling distribution, marketing, and making sure the projects are clean. So, I try to just focus on my projects and a select few artists that I like to work with. But it’s great.

The music business is very complex and running the label has been a valuable learning experience. The entire process, from creation to release and marketing, has taught me diverse strategies and tactics for successful music production, establishing contacts, and more.  It’s a full-time job, but it’s also very cool to release music under my own label. I don’t cut corners, and most importantly, I like that I have control of the music that I release.

BPM: Your collaborations span various genres and international artists. How do these diverse collaborations influence your own musical style and growth as an artist?

Felva: I believe that as humans we’re like sponges, absorbing what we’re exposed to. It’s very important to expose yourself to different cultures, sounds, and people. Diversity is very important to me, and I try to collaborate with as many diverse artists to respect and absorb their sounds and apply their grains of sound into my own. I’m always going to have my distinct sound but it's a mixture of our life experiences. It’s something I definitely want to continue doing so I can constantly reinvent my sound and grow it.

BPM: Who has been a key figure or mentor in your life, and how have they influenced your journey, whether in music or on a personal level?

Felva: There’s a DJ. His name is Malone, he is in the electronic music world, and we started out together in Miami years ago. He’s always been somebody who’s pointed me in the right direction and given me great advice from a DJ perspective and on a personal level, and I value him so much. I’m very happy for him, and I’m happy to see that we’re both doing our due diligence in the music space and making people dance. So, I give a lot of credit to Malone for a lot of guidance and a lot of key decisions and advice he’s given me that have really helped put things into perspective for me.

I would say Popeye Caution as well. He's always been somebody who has kept it real. I think Jamaicans are really down-to-earth people, all about vibes. They don’t get into a lot of he-said, she-said gossip. They just vibe out through energy and authenticity, and I appreciate that. Bob Marley has always been somebody I listen to when I’m stressed, and working with Popeye has been like that. Even on a personal level, Popeye has helped put things into perspective for me.

BPM: How does your mixed Ecuadorian-Colombian heritage influence the themes or elements in your music and productions?

Felva: As I said earlier, I’m Hispanic, I’m Latino. Being Ecuadorian and Colombian represents my upbringing. The music I was immediately exposed to such as salsa, and merengue, was also part of my early musical experiences. It’s all danceable. As Spanish people, we’re very happy people, we like to dance and party. Our family dinners weren’t usually the ones that you just go eat and sit down; everyone was dancing and partying. So, the natural evolution for me as a DJ is tied into those early moments of life with my family dancing and partying, and reggaeton is my main core, branching off from Hispanic music.  Even when I DJ I’ll play OG Colombian and Ecuadorian music in my sets, along with remixes, taking people on a journey.

BPM: In a world of ever-evolving music trends, what challenges do you face in staying authentic to your artistic vision while remaining relevant in the industry?

Felva: For me, I make music that makes people dance one way or another. I create music with the aim of making you move. Regardless of trends and what’s considered hot, I try to stick to that theme of creating dance-worthy music. I’m okay with adjusting as long as people are dancing; it means I’m still staying authentic.

As a DJ and producer, we should be able to adapt, whether I’m making afrobeats because that’s what’s hot right now, afro EDM, or reggaeton, as long as the people are dancing, that’s my authenticity. Music is always changing, and staying true without adapting can make you a dinosaur. Trap music from the 2000s is not the same as today; you can’t put out a 2017 sound in 2024. Sounds change, styles change, and productions change. The way people rap has changed. If you listen to Lil Wayne in 2012/2013 and Drake, they sound very different from today. You need to keep people on their toes and excited about your music. So, for me, as long as people are dancing, I’m authentic to myself and my music.

BPM: Looking ahead, what legacy or impact do you hope to leave on the music industry and the artists you work with, both as an artist and through Maintain Music?

Felva: I believe when it’s all said and done and people look back on my music and my brand, I just hope I left a positive impact. I hope I made them smile or made them feel something that helped them get through their day. As far as my label and myself, I believe that when people talk about me, I hope they recognize me as someone who was self-made and worked hard, and put people on. I’m okay with that being my legacy because my music is my legacy. So, the day I die, I want people to jump on my Spotify and listen to my music and conclude that it’s a good vibe, and this music makes me feel good, or that these beats are good and Felva really did his thing. 

BPM: Miami is known for its vibrant music scene. How has the city influenced your artistry and the direction of your music, especially considering your popularity in the local club scene?

Felva: Miami holds a distinct music format with a vibrant mix of Caribbean and Spanish communities, featuring a strong presence of hip-hop and EDM. Playing at numerous nightclubs in Miami has made me familiar with the crowd and the music format. This exposure has crafted a specific sound in both my DJ sets and productions, capturing the essence of Miami’s party-driven atmosphere.

The music is danceable, very diverse, and specific when it comes to mixing electronic, dancehall, Latin and hip-hop genres. These four are mainly reflected in my sound. Listening to my music reveals different genres to bounce between and diverse vibes. In my DJ sets, out of 100 songs, you’ll hear about 5 or 6 different genres, ranging from classics like Michael Jackson to old-school house music, then I'll switch to rap, dancehall, and reggaeton. The city is very diverse, so you have to give everybody a little of their culture and music.

BPM: The Starboy EP seamlessly blends Latin and Jamaican cultures. What was the collaborative process like while creating this project, and how did your individual strengths complement each other during the production and writing of the tracks?

Felva: Popeye Caution is accustomed to jumping on dancehall-type rhythms, and so he approached the EP with the mindset of creating a nice blend of instrumentals and dancehall rhythms, but also reggaeton rhythms. As a producer, I start my process by making a beat, and then we write songs after that if we’re really feeling the beat. Popeye and I always start from scratch; we never really make any beats that are already mad. When we get in the studio, we start from zero, building the idea from scratch and we keep the recurring theme of blending dancehall and reggaeton to maintain consistency in the project.

Once we have the beats, we start writing to them, aiming for a multicultural and multifaceted project. We just made sure we did an English vibe where he can bring his patois and I can bring my Latin and Spanish side without being corny. We created songs with the right amount of each. There is even a song with no Spanish; it's just Popeye because we felt that we needed to keep it authentic for that “Starboy Hot” song, which is a real dancehall record with no Spanish—just straight patios and English. We didn't really want to sacrifice that and put Spanish on it.

The song with Jowell “Jamaica,” features a real reggaeton beat for Spanish lyrics, so on that specific song, we did a nice blend. “Asi Lo Hacemos” is a song that has a good blend of myself in Spanish and Popeye in patois, but that’s a very experimental song with a Stylo G type of rhythm, something I really liked. I didn’t want to exactly be like him even though I love his style so much, so I did a blend to give it its own vibe.  We did what every song called for while being authentic. But everything starts from making a beat, and we fill in from there.

BPM: Each track on the Starboy EP seems to offer a distinct vibe. Could you elaborate on the musical direction and choices behind each song and how they contribute to the overall narrative of the EP?

Felva:  It’s three songs and the first, “Asi Lo Hacemos” has a Stylo G type rhythm. We kept the theme of the EP to be danceable with a club theme. On that song, we kept a repetitive and groovy beat because we wanted the dancers to go off on that one. It’s very melodic, the top lines on our vocals that are very catchy, and we kept it groovy.

The second song, “Starboy Hot,” is a true dancehall song where we didn't bring in the Spanish. It fits the theme because I wanted a real dancehall song on the EP. I didn’t want every song to be a blend. I wanted something that could be played in Jamaica without cultural disconnection, and “Starboy Hot” achieves that. During radio interviews, it was the highlighted song because it’s straight English/patois and dancehall. This is good because I want to blend into that scene without a disconnect. You can play a Ding Dong song and then a Felva and Popeye song, and everyone follows that.

The third song, “Jamaica,” which is more of a reggaeton vibe, with Popeye stepping into the reggaeton world. We’re really pushing that one in Latin America. I can't push the other two songs as heavily because the sound is very dancehall, so people will get it in Latin America but not as much. However, the EP’s purpose is to capture the Caribbean and Latin American market and I believe we did that. 

BPM: What’s one significant personal growth or change you’ve experienced in the last year, and how has it impacted your life or your music?

Felva: I’ve experienced significant financial growth this year compared to previous years, and I believe that with proper financial backing, I can do more and treat my music with a little bit more love in terms of marketing, properly promoting, and creating better content for my music. I can now enjoy certain luxuries that I wasn’t able to before. While I was always dedicated to my music, financial constraints were a constant challenge. Monetizing music is very hard and not always feasible.

So, this year, with the grace of God, music has been good to me, and I’m grateful to reap the fruits of my labor over ten years. I’m now able to enjoy certain luxuries with the content I’m putting out, the marketing efforts, the trips I want to take, and even hiring PR services, etc. I’m very thankful and appreciative of being able to do that solely through my music.

BPM: Given your track record of pushing boundaries in your music, what uncharted territories or innovative concepts are you exploring in your upcoming projects that might surprise or challenge both your fans and the industry?

Felva: I’d like to continue tapping into different countries and collaborating with different cultures. Maybe doing something out of Asia would be cool, or the UK. So, I’m just continuing to make connections with the proper artists. I’d really like to travel the world. Collaborating with Popeye Caution and Major Lazer in the past has obviously led to being able to go to Jamaica and travel the world, which is something I would have never been able to do without my music. So, I’ll continue to collaborate with artists who allow me to push borders, explore different cultures, and continue to grow.

Thank you for joining us on this exclusive journey into the world of Felva, where we've explored his evolution from DJ to producer and now a thriving artist. His insights into music production, collaborations, and the fusion of diverse genres provide a glimpse into the creative process behind his unique sound. We appreciate you, our readers, for tuning in. Your support is what makes these spotlights truly special. Stay tuned for more captivating stories as we bring you another BPM spotlight artist next week. The rhythm of discovery continues, and we can't wait to share it with you!

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Photo Credit: @sonjalamakina

Stay connected with Felva on social media platforms:

X (Formerly Twitter): @dimelofelva

Instagram: @dimelofelva

Facebook: @dimelofelva

YouTube: @felva

TikTok: @dimelofelva

For Bookings and Info:

This email address is being protected from spambots. You need JavaScript enabled to view it.

Watch “Asi Lo Hacemos”

Watch “Jamaica”

Watch “Starboy Hot”

Watch “Ronaldo”

Photo Credit: Joanna Diana

BPM: As a child, you grew up in Prince George’s County in a musically-influenced family, and your journey from being a quiet and shy child to a confident musician and athlete in high school is fascinating. Can you share a specific moment or personal growth experience from your childhood that you believe had a profound influence on your musical path and helped shape the artist you are today?

Raphael Tate: I grew up around elite musicians because of my brother being a part of that circle as a drummer, and my parents were singers and musicians as well. So, from early, I was in what I call the observation period in my life (toddler to early teens) and in this time, music just didn’t work for me personally.  For example, I would try to sing in the church choir but when the nerves took hold of me, no voice would come out. As children, we were all given chances in church to play percussions and piano; however, the older and more confident got most of the time.

A specific moment from my childhood that had a profound influence on my musical path and that helped me shape into the artist I am today, occurred during my freshman year at Crossland Senior High School. I was flunking out and I was very sensitive as we were not the richest and not the best studious student so I was ready to spring into action if anyone would make fun of my clothes, hair cut or reading abilities. Additionally, I grappled with my parents' relationship breaking down and experienced feelings of jealousy and frustration as my dad spent more time with my older brothers and not with me. In church I would pray and cry out, while in school, I’d be ready to protect myself.

One day I was involved in a physical altercation with two young men in front of the school while coming to the aid of my godbrother, who was being jumped and bullied.  Following the incident, a gentleman, later revealed as the band director of the school, Hugh W. Barnes, pulled me into an office.  He said to me instead of throwing my life away and taking my anger and frustration out on people which leads to getting kicked out of school, jail, and the streets, I should join the band and take my aggression out on drums which he deemed a more productive outlet. That moment served as the turning point for me and remains the reason why I pursue music.  I needed direction, a mentor, and to break out of my shyness and fear in order to accept myself, ultimately shaping the person I am today.

BPM: You initially received scholarship offers to play basketball in college. What led you to choose a music scholarship instead, and how did this decision impact your life and career?

Raphael Tate: As I mentioned, joining the band and having Mr. Hugh Barnes as a father figure and mentor improved my grades, rendering me eligible to play basketball and track and field. Consequently, during my junior year of high school, my team and I won our regional championship, earning a place at the State Championships (final four) at Maryland Cole Field House, where we competed with the best teams in the state. Although we lost in the first round, it spurred my determination to secure a shot at redemption during my senior year. 

Throughout that summer, I worked extremely hard to prepare for my final season. As we approached my final season in basketball, we received the news my head coach abruptly left the team and went to another high school. An entirely new coaching staff was introduced, and I swiftly demonstrated my capabilities, securing a spot on the starting lineup in the pre-season. However, the head coach position was sabotaged and his assistant coach took over. Devastatingly, he didn’t favor me, benched me and played his favorites.

Despite my dedication, I was sidelined. At that time, I was still in the marching band and I had advanced from being a percussionist to becoming a tuba player, and as heartbroken as I was, I quit the team. Despite receiving offers from other schools to join their basketball teams, I made the decision to concentrate on music. Scholarships continued to arrive for basketball, but I received more opportunities in music.  Consequently, I accepted a full scholarship at Morgan State University. Later the head coach of Morgan State University invited me to try out for the basketball team as a walk-on, but due to the demanding schedule of the marching band and academic commitments, I declined.

BPM: Your music is frequently lauded for its inspirational and potent qualities. What profound message do you intend to impart to your audience through your music?

Raphael Tate: Firstly, thank you so much I am grateful the message is getting across clearly because it’s made for the people by the people!!! The message I want to always convey in this cold world is simple: always remember that love is the key to life. My mission is to encourage, motivate, inspire and uplift the hearts, minds, and souls of mankind. I strive to unite families and inspire individuals, guiding them towards a connection with the Most High, even in this seemingly God forsaken world, by showing them that God is love. I aim to encourage people to love themselves, emphasizing the importance of mental health and showing that I am relatable. I want them to know they are not alone in this fight.

BPM: In a parallel universe, music notes are physical objects that people collect like souvenirs. If you had to choose one note from your repertoire to give to a fan as a memento, which note would it be, and what kind of memories would it hold?

Raphael Tate: The note I choose is Cflat/B. ‘B’ is for beginners must believe!!!  It’s about believing in yourself, your dreams and believing you can achieve anything you set your mind to is key. ‘B’ determined, ‘B’ relentless, ‘B’ focused, ‘B’ all that you were called to ‘B!!!’

BPM: If there was one thing you could change in the music industry today, what would it be, and what impact do you believe that change would have on both artists and music lovers?

Raphael Tate: The one thing I’d definitely change in the industry is the control over what music gets classified as top-ranking on the radio and various media outlets. I would aim to shift the trend away from commercialized, derogatory and harmful music. For far too long, we’ve allowed big corporations to profit from our struggles and impoverished state. We’ve been exploited, with the wrong things glorified –such as sex, drugs, culture, and crime/violence, leading to prisons, graveyards, and streets filled with black and brown babies.

I’d strive to steer music back to our roots, where love songs and socially conscious hip-hop reigned supreme!  That’s why I create the music I do. I’ll get you dancing, falling in love, making babies and saving a soul hahahaha!  I’m not saying that others don’t make this kind of music, but it’s time to bring it back to the forefront and allow love to be our soundtrack once again.

BPM: In Starstruck 2023, you paid tribute to James Brown, the ‘Godfather of Soul’ music. How did you prepare for this masterful tribute, and what did you learn from embodying his style?

Raphael Tate: In order to pay tribute to one of the greatest artists of all time, I underwent vigorous vocal training, studying the actual essence and genius of James Brown’s vocals. Throughout the process, I’m so grateful for the depth of understanding I gained about the remarkable nuances of James Brown’s voice. Initially, we were allowed to give our impressions of James Brown. We all had different ideas on how he was and what he sounded like. Once our respective takes on James Brown were accepted, we worked closely with vocal coaches who meticulously dissected every aspect of James Brown’s vocal sounds and their placements.

We engaged in vocal exercises and vocal workshops to achieve the goal of identifying James Brown’s vocal placements within our ranges. I discovered that James Brown was a master of the mixed vocal placement techniques. He seamlessly incorporated mixed falsetto, chest voice and whistle tones within the same melody. I realized that James Brown’s vocal abilities are significantly underrated, and he is definitely hands down one of the greatest vocalists that ever walked this planet. Studying Mr. Brown’s style taught me so much about my own vocals, offering a deeper understanding of my identity as a singer. Studying James Brown’s vocal approach has undeniably enhanced my own; it’s become an integral part of my own unique style!

BPM: What are the aspects of the music industry that you enjoy the most, and on the flip side, what are the challenges or aspects you find least enjoyable or rewarding?

Raphael Tate: Recently, I was accepted into being a member of the Recording Academy/Grammys Awards Washington DC Chapter class of 2023. This opportunity has granted with access to musicians and artists from around the world who are superb at what they do. The industry has allowed me to share my music across various global platforms, reaching hearts far and wide. Additionally, it has provided the chance to engage and compete at the highest level for the most prestigious awards, as I am under consideration for seven different Grammy Award categories.

However, the least favorable aspects of the industry, as I mentioned earlier, is its heavy commercialization. The music business, now entrenched in big corporations, often promotes their specific agendas and tends to dilute authentic music. It allows big businesses to promote what is specific to their plan and exploits black culture, perpetuating certain ideologies based on race.

BPM: In July 2021, your collaboration with BBC Radio 1Xtra for International Reggae Day, hosted by Seani B, was a memorable moment. How did it feel to receive acknowledgment from the original singer, Beres Hammond, and what message were you aiming to convey through your performance of “Rock Away?”

Raphael Tate: Beres Hammond is one of the kings of reggae, notably acclaimed as the ‘King of Lovers Rock.’ When I first started listening to reggae by way of lovers rock, his voice stood out to me and is one of the voices I was often compared to. Getting his approval and love, especially as a soul singer, was everything, definitely a humbling and an immensely blessed experience.

What I wanted to convey with choosing “Rock Away” is a salute for a salute!!! Beres Hammond initially wrote the song as an ode to what is now recognized as progressive R&B and soul legends. I wanted to revise it coming from a progressive R&B and soul singer perspective, to honor his legacy as a reggae legend. All manners, all love, and all respect to the king Beres Hammond. “Rock Away,” is reminiscent to the times where music was all love, resonating with my desire for a return to such times – it’s all interconnected and significant.

BPM: Your artistic journey spans across multiple creative roles, from singing to producing. How do these different roles inform and influence each other, and how does this versatility enhance your creative process?

Raphael Tate: When I first started producing, I always envisioned others playing my productions, so I wrote in a way of scoring for musicians to play my music. However, when I just started out people didn’t recognize me as a producer, songwriter, or singer, making it difficult to get help. That being the case I had to use those scores as actual productions and get them ready for release. Faced with rejection, I realized that I was already on the right path and needed to step up to handle all these roles myself.

This realization stemmed from a significant part of my experiences spent observing my parents, my big brother Joel, musicians, singers in church, concerts, and the marching band. These experiences provided me with everything I need to produce.  Also, singing and studying music from the Motown era, soul era, neo soul, 90s R&B, and gospel also equipped me with all the necessary tools. All I needed to do was believe and fight for it!

BPM: Collaboration is often a powerful force in the music industry. Can you share a memorable collaboration that pushed your creative boundaries and resulted in a unique and unexpected musical creation?

Raphael Tate: The collaboration that resulted in a unique and unexpected musical creation was with a UK/Caribbean artist named Fuzz on his song titled “Energy Right,” from his latest album 23. This album is currently under consideration for the Best Rap Album category at the Grammys. This experience allowed me to showcase my versatility as both a vocalist and MC.

BPM: Moving to Cyprus and living there for several years must have been a significant change. How did the environment and culture of Cyprus influence your music and artistry? Where are you located now?

Raphael Tate: Moving to Cyprus allowed me to further unplug from what we call ‘the matrix’ after living in Egypt for 4.5 years, allowing me to fully pursue my dreams and ambitions of becoming the artist I am today. It's a similar situation to what I read happened to our DMV legend Marvin Gaye. When Marvin Gaye was going through a lot of turmoil in his life, he sought serenity in Belgium, which resulted in what many consider some of his greatest hits, culminating in him winning a Grammy Award.

I digress, as I was living on that beautiful, peaceful island it allowed me to tap into abilities I never knew I had and blossom into my versatile roles. Currently residing in the UK, my experiences in the US, Egypt, and Cyprus have prepared me to perform on the global stage.

BPM: You've traveled and performed in various countries and cultures. How has this global exposure broadened your perspective on music, creativity, and the universal language of rhythm and melody?

Raphael Tate: When I initially began performing back in 1998 with the marching band, the music I learned was what we refer to as ‘oldies but goodies.’ These tunes would always bring joy and happiness to the people. As I traveled across the world, these tunes were standard across the globe, so that universal language was being spoken. During an era where modern music didn't have the same widespread appeal, genres like Motown, soul, reggae, and 90s to early 2000s R&B were cherished across generations, reigning supreme as the fan favorites. This had imprinted on my sound and creativity when I would begin releasing my own music. I'll forever speak the language of ‘oldies but goodies!’

BPM: Social media allows artists to express their personalities beyond their music. How do you balance sharing your personal life and creative process with maintaining a sense of privacy in the digital age, and what do you hope your fans take away from your social media presence?

Raphael Tate: I am my art, so whatever I write song-wise reflects my challenges, struggles, lessons, and achievements. That’s how I communicate on my social media platforms - always aiming to inspire, uplift, and free the minds of the oppressed and downtrodden. I use social media to vent about my practical and peculiar life choices and use my platform as a voice of reason. I enjoy provoking different perspectives, hoping to inspire change or challenge individuals to embrace a better, more organic, and holistic lifestyle. I also give helpful parental tips I learn along the way.

BPM: Your album Love, Grieve, Live reflects the cycle of emotions following the loss of a loved one. Can you tell us about a specific song on the album that holds special meaning for you and the emotions it conveys?

Raphael Tate: The track from my album Love, Grieve, Live that emotes the most feelings within in me is “Lord I Need You Near.” This song conveys my vulnerability, my realness and emotion. It’s my and many others genuine prayer to the Lord for strength to endure the loss of a dearly beloved parent. With this song I was able to pour the rawness of emotions not just in the vocals, but full composition, creating a musical conversation between the lyrics and the instruments.

BPM: For aspiring musicians who dream of pursuing a career in music, what advice would you offer to help them navigate the complexities of the industry and find their unique path? Additionally, what exciting projects or plans can your fans and our readers look forward to in the near future? What's next for Raphael Tate?

Raphael Tate: I would say that artists need to believe in their dreams and chase them no matter what.  Please prepare yourself on the journey that things will not be as easy as your music creation may come to you.  You’ll undergo evolutionary stages where you might feel invincible, but remember, it’s all part of your story. Sometimes God hides you to teach, prepare, and ground you. So be ready when He opens the doors! Not everyone will immediately recognize or appreciate your gift.

Humbly remember a prophet has no honor in his own country and that even Jesus could not perform certain miracles amongst his peers who he grew up with. Your light is bigger than what city you’re from, but the city you’re from is your foundation and you are to tell your story throughout the world.

What's next for me is prayerfully, I am up to win a Grammy or two for 2024. I plan to do more TV appearances, and performances on the big stages around the world. I have another album coming in 2024 that will be a contender for the 2025 Grammy Awards. The album’s concept will revolve around roots reggae, lovers rock, and dancehall. I’m super excited about this project because I’m working with some of the top and legendary international producers of reggae in the game, such as Jazzwad, Jermaine (Ajang) Brinsley Forde, Terrence (Killa) Cunningham, SkyBeats, Andre Solid, Maurice (Knatty410) Dorsey, and many more.

In conclusion, delving into Raphael Tate's musical journey revealed an artist driven not just by passion but by a profound sense of purpose. His tireless dedication to his craft, coupled with a genuine commitment to inspiring and uplifting his audience through the power of music, is both captivating and commendable. Tate's remarkable story, rooted in resilience and a relentless pursuit of artistic excellence, reflects an inspiring narrative that is sure to resonate and captivate audiences worldwide. It's been an enlightening conversation, shedding light on the artistic prowess and unwavering dedication of a truly remarkable musician. Many thanks to our readers for your continued support and enthusiasm. Stay tuned for our next BPM Spotlight Artist of the Week, promising yet another inspiring journey into the world of talented artists shaping the music industry.

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Photo Credit: Joanna Diana

Stay connected with Raphael Tate on social media platforms:

Twitter: @TateRaphael

Facebook: @RaphaelTateOfficial

Instagram: @RaphaelTateOfficial

YouTube: @RaphaelTate3073

TikTok: @Raphaeltate3

For Bookings and Info:

Email: This email address is being protected from spambots. You need JavaScript enabled to view it.

WhatsApp: +447515616324

IG: RaphaelTateOfficial

Facebook: Raphael "Prince Of Soul" Tate

Listen to Love, Grieve, Live 

Raphael Tate on Apple Music 

Watch “Lord I Need You Near”

Watch “Everything Must Change”

Watch "Seani B BBC 1Xtra International Reggae Day Featuring Raphael Tate"

Watch “Share My Life”